Sausage Fingers
Still from Sausage Fingers, 2024. Sausage Fingers, video, 00:11:00, 2024 Different coloured rubber hair ties repeatedly placed on my thumb until it turns blue and
Still from Sausage Fingers, 2024. Sausage Fingers, video, 00:11:00, 2024 Different coloured rubber hair ties repeatedly placed on my thumb until it turns blue and
Installation of ‘Martha, Sigmond’s wife’ at ‘OS: Multitudes’, NARS Foundation, New York, 2024 Martha, Sigmund’s wife, colour pencil on paper, dimensions variable, 2024 Each day
Stills from Staring at Strangers #1 Staring at Strangers #1, video, 03:00:00, 2024 After reading The Power of Patience by Jennifer L. Roberts in the
Untitled (Multitudes), digital photographs, 900 x 600 mm, 2024 This series of photographs was created while on the NARS International Residency Program, New York, April
‘do you love me?’ is a video work of a woman using a child size pair of semaphore flags to repeatedly signal ‘do you love me’. However, the woman is signalling in mirror image, a common mistake when first learning semaphore, playing further into the miscommunication around love. The flags are red & yellow Oscar flags used to signal at sea, increasing the miscommunication and distance between performer and viewer.
‘Love Letters’ consists of a child size pair of semaphore flags. With the potential to ask the question, if you know how to use them, but with no promise the question will be received or understood. Would you understand a response? (if there is one)
Continually counts down from 28 to 0, representing the female menstrual cycle.
In 28 Days a naked woman places 28 post-it notes on the wall in a grid, 7 across and 4 down, to represent a menstrual cycle. However, the post-it’s keep falling off the wall. The woman continues the performance until all the post-its stay on the wall. Within seconds of walking away from the completed task the post-its start to fall again.
We’ve all had those moments where time slows down, you feel like you’re moving through quick sand and wonder when you’re going to wake up. These are the trauma inducing moments, all you can do is breathe through them. Only to discover that life has changed on the other side.
‘Screw Up’ is about the regulation and resulting judgment placed on the female body. The trauma this causes, the scars it can leave and the resilience needed to continue.